Sunday 8th September

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STRIPED LIGHT:
 
Shadows of delicate flavours stretch across the grass 
between trees preparing to drop summer’s dress.
Rain hangs high in dark grey clouds that congeal in the 
milky sky, threatening. It’s warm, plenty to do indoors,
if it rains we’ll put on a brew, sit out on the porch & 
listen to it whisper. 
 
(K)

Saturday 7th September

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UNION OF THE TOUCHLINE:
 
Check post code, start time, tyres & oil. Set sat-nav, pack
liquids & snacks. Waterproofs, scarves, hats, shades – this 
is England, prep for random weather to come our way. 
Take to the road, tune the radio, watch out for the crazies. 
The touchline crews take up their positions, some just happy, 
some with expectations. I got my flask & rituals, already 
feeling that sweet electric rush, the life of a fan, though 
sometimes bitter is better than having no love at all.  
 
(K)

Friday 6th September

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MANY ARE CALLED BUT FEW GET UP:
 
First year at art school went progressively down hill. 
Entering as a star in my head, it started well & lost momentum until 
I was hauled up before a tribunal that read me the last rights. 
With the band at home over, it was bleak, a ‘stalled’ feeling was 
spreading like weeds through my teenage life. It was looking like the 
boy from the Midlands was on his way out, when one loyal tutor 
intervened to buy me time to prove I deserved to keep my place. 
Perhaps it was the twee little installation I finally built, or just 
the support of that one tutor, but I managed to scrape through to 
2nd year. 
Everything changed that summer, the penny dropped & I started 
building artworks out’ve industrial waste like my life depended on it. 
Year two, this new found drive & direction landed me a prime spot in 
the sculpture department along with my drinking buddies, under the 
sceptical watch of sculpture tutors who couldn’t believe they’d 
let this weirdo into their manly fraternity – welding, casting, 
drilling, hauling heavy stuff. 
I set about building man-traps, broken glass, shards of wood, corridors 
& mazes, nightmare spaces. This evolved into Zen gardens, containing 
ceremonially executed stick figures, the study of ceremonial rituals 
& shamanic figures as used by the tribes of Africa & North America. 
I built a hut with a floor of deep sand with a japanese paper sky & 
set about burning things. The Dean paid a visit to praise my work, but 
ask if I would consider ‘not’ starting fires indoors- I was flying. 
Vidid dreams were transformed into realties every day, I started to 
work with early Video, black & white ghost images, creating 
installations with quadraphonic sound, building ceremonial pits that 
incorporated sawdust, candles, crudely daubed red & yellow painted 
scraps, sound systems & video monitors. 
I wrapped myself in bandages, painted myself red & yellow, pinned on 
button hole carnations, built chapels for the marriage of tiny bones 
in ham cloth, begged unused bandages from hospitals, wrapped animal 
bones in delicate coloured wires & wedding rings. I wrapped myself in 
plastic, wrote stories about imaginary ceremonies & filled glass cases 
with fictitious ceremonial artefacts. The speed at which I was producing 
art was limited only by the speed at which I could work, everything was 
possible, it was an exhilarating feeling – flying.
 
And then she left me, 
I ground to a halt, 
downed-tools, 
devastated.  
 
(K)

Thursday 5th September

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THE PUNK HOUSE:
 
Mid to late 70’s the best parties in Cardiff were at ‘The Punk House’. 
A near condemned building rotting above the rag-n-bone shop on 
Lower Cathedral Road. Cathedral Road proper was lined with posh 
bow-fronted houses, stood back from the road behind lines of leafy 
London Planes – proper posh. Lower Cathedral road was a strictly 
low-rent district, great for parties. 
I dreamed of living at the Punk House, hated leaving there at the end 
of a good session, but it wasn’t the kind’ve place you couldn’t live 
with most girls & the fact that I had a girl friend ruled me out of 
ever being offered a room. 
There were no carpets, barely any furniture,the bathroom smelled of 
fermented urine soaked into old NME’s that were strewn about the 
floor – a kind’ve Indie litmus paper. 
My mates in the sculpture department lived here, two lads from up 
North, who rolled up there sleeves & hauled whole chunks of tree in 
through the sculpture loading dock. One lad had brought a battered 
Martin acoustic all the way from home, a crazy thing to do in my mind. 
I’d never even ‘seen’ a real Martin let alone one left lying around 
to be regularly fallen on by drunks. He was a great picker, could play 
all the hard John Martin bits note perfect, could play ‘and’ sing 
“May You Never”, but thought nothing of it – a mere party trick. 
The fact that he wasn’t in the slightest bit interested in being a 
musician made me feel like a looser. Like everyone in the house, he 
slept with all his food to protect it from rodents & random party 
scroungers. There was rarely ‘no party’ at The Punk House & even if 
nothing was happening, the merest suggestion of one would kick an 
all-nighter off. 
My mate Marcus was the other lad from ‘Up North’, spent all his second 
year building a Cow Table with intricate country scenes carved into it 
& realistic cow legs that swing out to hold the table top. 
All year he worked on that thing & I don’t know he ever finished it – 
we drank a lot. He called me out’ve the blue years later, when I was 
living in Romford & Underworld was on the cover of everything. 
He’d given up sculpture, become an English teacher back up North, where 
he’d become a respected dealer & collector of Punk Records. 
These two were my inseparable drinking buddies, we could be found singing 
round the piano in the Old Arcade or slumped over pints at The WestGate, 
drifting into oblivion on a sea of Brains Dark.The Old Drunks were always 
please to see us, took a shine to us, we included them in all our rounds, 
so they tolerated our sculpture rants. I kept a wad of paper in my jeans
& a pen for when the beer inspired me to sketch. Most mornings I’s wake 
to find a stack of news drawings on the bedroom floor, ideas for 
installations that would eventually bag me a first – the beer was my 
muse. 
There may have been a couple living right at the top of The Punk House, 
but we didn’t see them much though there was a lot’ve giggling coming 
from their room at night. There was a tiny room next to theirs at the 
top of the stairs where Les lived. He used to live on the other side of 
town when he had a girlfriend, but she left him, automatically qualifying 
him for a room in the coolest house in town. Les was one’ve the 
‘Alternative’ crew to which I belonged, ‘The Space Workshop Lot’, 
The outsiders from the ‘Third Area’, the weird ones. He was a film maker 
of extremely long ‘art-films’ & a creator of cerebral performances that 
involved the wearing of coloured robes & the strategic banging of 
percussion instruments. I liked him, he was part of our extended drinking 
circle, an ‘ok bloke’, though he stole the girl I fancied after I pointed 
her out & her uncanny resemblance to a Blue Peter presenter we’d both 
fancied when we were still in shorts.
There was another occupant of The Punk House, he came & went & nobody 
ever knew where he disappeared to, but he would show up either fresh 
faced, in a new tweed suit or sock-less & unwashed for weeks still 
wearing the same suit. The rumour was he came from a wealthy family, had 
a drink problem & that they would find him, put him in rehab, dry him out, 
clean him up & then he’d run away & start the process over again. 
During his bombed-out phases he would turn up at The Punk House, I think 
he’d been hiding here since before our time. When he was sober he was lucid 
& bright. When he was on it he’d be found sat in his favourite ragged 
armchair in the middle of the barren front room staring motionless into 
the empty fireplace. 
 
“There’s a mouse living in there”
 
He told me once.
 
“In that hole. I saw him stick his head out. Don’t ever light a fire, 
he’s my friend”
 
Looking back on it, he was the guy I identified with the most, 
twenty one years later I discovered why. 
 
(K)

Wednesday 4th September

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I MAY HAVE TOLD YOU THIS BEFORE BUT:
 
Summer holidays were spent on the south coast or north Wales, 
both in caravans. Though north Wales had originally been with
the family we’d gone up market & relocated to Bournemouth, towing
our own four berth. The North Wales location had moved from 
Black Rock Sands outside of Porthmadog to a site with it’s 
own club house & bingo on the cliffs just south of Aberystwyth. 
The trip north was with favourite Aunty in one of Uncle’s strange 
Eastern European vehicles that smelled of dog & leaf mould. 
Life on the caravan site was never dull, we dipped in rock pools, 
walked into town along the cliffs, played football until we’d hit 
all the caravans once too often & told ghost stories before bed. 
In the evening we played bingo, pinball & table football at the 
clubhouse, flirting with girls high on Vimto & crisps. Most evenings 
Uncle’s little black & white portable tele would flicker, arial 
adjusted, perched precariously on a chair, turned exclusively to BBC, 
(there was, no doubt, some cultural snobbery at work), but it hooked 
me on a world beyond ‘Crossroads’ & ‘Corry’ – a posh world of 
award winning dramas & middle class comedy, weird, exotic. 
Unfortunately, we also had to endure the BBC Proms, live from the 
Royal Albert Hall!, not exactly Top of the Pops, not even ‘that was 
the week that was’, it made dish water seem like champagne. 
The night of August 13th, 1970, I remember started with fish, dark, 
& raining. No Bingo tonight for us, the thrilling girls would be 
flirting with future husbands & we would have to settle for the 
drone of another BBC orchestra, imprisoned with painfully hormonal 
urges to be off posing with pinball machines.
The orchestra did their thing, ‘Triple Music II’ (world premiere)
David Atherton conducting the BBC Symphony Orchestra, the will to live
ebbing away. Suddenly, something shifted, a rip in the fabric of 
time through which jumped an ensemble so unlikely, so raw, that my Uncle 
was caught by surprise & it was too late for him to turn it off before 
he’d realised it had all gone horribly wrong. 
The picture tilted, froze, jag-jumped, dynamic angles, angular sounds. 
A box van careering round the outside of the Hallowed Hall like a 
Beatles film on steroids. It was bringing change, delivering revolution. 
‘Soft Machine’, Elton Dean, Hugh Hopper, Mike Rattledge, Robert Wyatt
unleashed their irreverent cacophony upon my Uncle’s ears as I relaxed
back against the matching cushions on the caravan bunk, cocoa in hand &
whispering, 
 
“Don’t touch that dial!”
 
Soft Machine 4 has & will always remain one of my most cherished albums. 
 
(K)

Tuesday 3rd September

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JUST BECAUSE YOU THINK IT’S GOOD DOESN’T MEAN IT IS:
 
In the music lesson we waited for our results to come on the radio.
The girls in the year below won with their Bongos & gdelicate voices,
 
“What shall I do?
I’ve got nowhere to go
Nobody loves me
No one wants to know…”
 
& then something about “…an electric cooker & fridge…”
 
I got the runners up prize, a record token to buy anything 
I wanted…for the school. I wondered how come both entrants from 
our school got first & second & if anyone else had bothered. At the 
record shop I found a lot’ve things I wanted & more whose sleeves 
promised exotic thrills, but none that were appropriate for school, 
then I found the classical section where the old blokes in tweed 
pondered sleeve notes. I got them a compilation of classical 
guitar recordings, it was actually really good. The music teacher 
smiled, 
 
“A very good choice” played it once & stuck it at the back of the 
cupboard.
 
(K)

Monday 2nd September

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VERSION:
 
I’d always had an uneasy relationship with mis-used authority 
& what happened after I played my first ever recorded song to 
the music teacher at school nailed it. The engineer 
had sprinkled a little magic dust on the song, some delays & 
a pinch of reverb to sweeten the mix, he’d even managed to get 
the old Hofner sounding good. The music teacher listened to the 
recording, 
 
“That’s good, but you’ll have to record it again”
“Why?”
“Because some girls from the year below are entering a song in 
the competition & all entrants from have to be on the same piece 
of tape”
“But this sounds really good, can’t we just send it in anyway?”
“No! We’ve arranged for you all to go to a recording studio at 
Birmingham University where you’ll do it again”
“But why? It sounds great. Why would you want to do it again?”
“That’s the rule!”
 
And there you have it – ‘rules verses art’ – phase one 
‘welcome to the world’
 
So we drove up to Birmingham in a rented coach (were there mini 
buses back then?) to record our songs for the BBC. The studio was 
like a laboratory, walls covered in white peg board 
(the kind that look retro cool at Abbey Road). The engineers
were impatient, kept telling us how little time we had & that we 
needed to get it right first time, 
 
“There won’t be time to re-do it loads of times!”
 
I opened the case to my electric, to let it breath & impress the girls. 
They were too busy practising their song, couldn’t give a damn about my 
shiny red guitar. The engineer caught sight of it,
 
“Oh! Were you thinking of using that?”
“Yes, it’s my guitar, it’s what I use”
“Well I don’t think we have the right cables to plug it in, in fact 
I ‘know’ we don’t, so you’ll have to use something else”
“But it’s my sound. Can’t you find the right cables”
“You should’ve told us you wanted to use this before you got here – 
have you got something else?”
 
The music teacher had ‘thoughtfully’ brought the school guitar, 
a lump of shaped wood with strings like girders & an action like a 
suspension bridge.She grinned & pointed to it. 
 
“But this sounds awful!”
“It’ll be fine” said the engineer rushing me to a stool in the middle 
of the room
 
I wrestled with the lump of wood, the wires cut into my fingers, 
a noise came out’ve it, I sang the words.
 
“Great!” said the engineer
“Who’s next?”
 
(K)

Sunday 1st September

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THE THIRD STUDIO IN THE WORLD (2):
 
Entering the house we were led up to the third studio in 
the world, built in a converted bedroom festooned in chocolate quilts, 
a sepia fourposter structure, a mediaeval throne room.
 
“We’ve had a full band in here” beamed the engineer.
“Set the drums up right there in the bay” 
 
Him & the Guru went back a long way, a history of recorded works from 
album demos to comedy sketches, an expansive library of programs written 
for radio but never pitched – legend to their closest friends. 
The song I was there to record was written for a BBC schools competition, 
something to do with ‘Help the Homeless’. I didn’t know anyone homeless, 
had no life experiences to use as lyrics, so wrote about what I saw 
watching the cherry orchards our town was famous for were ripped up for 
new housing estates. 
 
“If it’s for the BBC, it has to be good, quality is important” 
said the Guru, settling back in a corner seat, becoming the producer.
 
‘A Greenery Park
And the sound of a Lark 
In a nearby tree
 
Are Drownded out 
By moving earth
And a JCB
 
The Green Belt’s cut back every day
Just so the Architect can get his pay
Just so that we can see the day
When there’s no more country’
 
 
It went down in one. The pastel Ford dropped me off, I floated down the 
road, skipped into the kitchen grinning, clutching a box with my name on 
it & song I couldn’t play to anyone. 
 
(K)

Saturday 31st August

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THE THIRDS RECORDING STUDIO IN THE WORLD:
 
It was 1969, I’d written a song & played it to the Guru. 
He’d sat there in the front room of his Kidderminster Semi & 
listened, beaming, 
“Did ‘you’ write that?”
“Yes”
“What, ‘all’ of it?”
“Yes”
“Lyrics as well?”
“Yes”, waiting for a disapproving remark that I’d been listening 
to too much Kinks & not enough Joni.
“That’s a really good song”
I was shocked. It felt like I’d just been handed the keys to 
the executive toilet, a door to a secret society opened, the sweet 
perfumed air was escaping from the other side. 
“Have you recorded it?” he asked.
“No, I don’t have a tape recorder?”
“You need to get one if you’re going to be a song writer Karl”
“We can’t afford one”
“Wait a minute”
The guru left the room, the weight of a red Hofner electric 
already too heavy on my 12 year legs. I was keen to play him the 
song but also show off. From the hallway under the stairs I heard him 
in conversation with someone on the phone (he had a phone!),
“Could we come now? Great! see you in ten minutes”
We rode in his pastel Ford, a rare privilege for one so newly inducted 
to the songwriters circle. Across town, past carpet factories that had 
provided my dad with enough money to buy me the guitar that was lying 
on the back seat. Past the hospital where I visited dad after his throat 
operation, waved to him watching us leave I cried. The hospital we’d 
visited weekly for me to exercise my legs to rectify their bowing.
Past the police station that I always thought unusually grand for a 
backwater town like Kidderminster & into a suburban cul-de-sac lined 
with smart middle class semis with bow-fronted windows & garages to 
park cars with names like Rover, & Vanden plas whose interiors smelled 
of valeted leather.
A man, of similar age to the guru answered the door,
“Is this our song writer?”
“It’s his first song, it’s really good & we need to get it recorded” 
 
(K)

Friday 30th August

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THE FACE OF THIRTY TREE:
 
A driving day, a day of friends, showered in beats & grooves.
Big open skies, blacktop cleared for action lined in luscious greens. 
Machines sing animal song in voices deep & throaty, electric thrill & 
wires connected, black & thick into holes & generators growling tucked
away discretely, power brilliant coffee machines, thick black 
stimulation driving the rhythm nation.
Everything moves faster than the last time, than it’s ever, on the 
outside of the bubble. No trouble, cameras, no blue lights flashing, 
no broken bones or rules or fools – No threat to anyone – No dark.
Driving alone at the end of the day, just me & the radio, channel 
surfing. Hardbeats & revs vibrating in the bone like a toned muscle 
tuning fork behind the wheel – how does it feel? Channel surfing still, 
hunting soulfood, here it comes:
 
(K)