Tuesday 30th July

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LAST NIGHT IN SHIBUYA:

The neon men wave electric sticks in hard hats at empty taxis 
cruising for fares beneath Shibuya flyovers. We walk the last 
walk of the tour on sweat stained pavements, cool grey slabs 
with sour complexions that only decades of footfall grease could 
fashion. 
This part of town could be Oxford Street at the Tottenham Court 
Road end or Leicester Square on a Saturday night, any city centre 
where the lonely are drawn in search of solution. Drunk boys teeter 
on tip-toe at the lip of the abyss of one too many, Couples squat 
on the dirty pavements smoking through courtship. White shirted, 
Black trousered straight looking non-offenders sleep off the effects 
of after work bars on walls in car parks & the homeless who sleep 
through the cacophony of the day vacate cardboard beds to hunt in 
the cool of night. 
I don’t want to close my eyes though I crave sleep, don’t want to 
miss a thing for fear I’ll wake up only to discover it was nothing
but dreams.

Thank you Japan

Next stop Essex

(K)

Monday 29th July

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WHAT WAS IT LIKE IN JAPAN?:
 
Still hot n sticky! Street walking poetry scooping t-shirt 
pros off pavements. The beetles make extraordinary sounds 
like they’re vibrating down twisted pipework tweaking their 
frequencies as they jam across busy streets. All the provinces
have come to town for the seasonal sales it’s a mad house 
with voices howling into bull horns competing for your 
attention holding cards up with loud text messages of money 
off & everything else thrown in for free. The only antidote 
is home made ginger ice cream in our favourite back street 
curry house down the road from our favourite crazy shop 
selling everything. Today we were presented with free gifts 
of Indian medical wall charts – this is livin’!
Now I’m looking forward to some food & walk about in the dark.
That long flight home is a long time to sleep a much needed 
sleep & try to shake of a fit of sneezing that’s lasted three
days – I hope Essex hasn’t converted to air conditioning, 
we need some fresh air in here – open a window somebody! 
 
Can’t wait to get out to Ibiza on the weekend. Looking forward 
to re-uniting with my Underworld family, feel that kickdrum 
whisper & the thrill of rick’s magic fingers dancing across the 
desk, throwing his signature curves has H lights up the world & 
Newsh lets the throttle out on a full set of Funktion Ones – 
Everybody raise your hands in the air! 
 
(K)

 

Sunday 28th July

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PLAY STOPPED RAIN!:

As the hour approached, Angie’s suitcase arrived with all
her clothes, make-up & two missing banners.
Kester disappeared into the jungle, re-emerging with a fist-full
of fauna to create an improvised shadow-play. The usual frights
surrounding our live equipment ensued, Mal & Gaz wrestling
another Mac into submission, triggering ripples of nervous
laughter as we concealed ourselves to soundcheck behind the
curtain. Foals hit the stage, rewarding the rain drenched crowd
with vibrant rhythms that sent every body gyrating whilst we hid
our tonks & croaks in the volume of their joyous sound. Then, as
everyone looked to one another, thumbs-up & smiling, the shroud
of Mr Hyde slipped off me & I resumed my roll as the amiable
Dr Jeckyle.
Rain continued to beat down on an undaunted audience & as thunder
cracked through the mountain forest I mused on an improvisation
of ‘Dark & Long’ (without telling the rest of the band of course).
Three mugs of throat coat & a fit of sneezing later we hit the
stage bathed in Kester’s beautiful subtleties of light & the rain
suddenly stopped!

Newsh had worked a Master’s Voodoo on our monitoring before
taking control of his out front board & as the opening bars of
‘Out of Darkness’ rolled we looked to one another in amazement –
THIS WAS THE BEST ONSTAGE SOUND ANY OF US HAD EVER HEARD!
The rest was a dream. I forgot all my pedal settings but somehow
made up new ones that sounded better, chords came in too loud
& lifted the crowd with random energy & even the stage crew,
hammering & power-tooling with ferocious indifference through all
our quiet passages could only drive us to smile & bond all the more.

Mal manned the monitor desk, watching with uncustomary eagle eye,
filling us with confidence & smiling back at us.

Rachel had steered the whole production through the rapids & now
the stage was complete & serene.

Toby V, fresh from jamming cameras & screens with U/W at Monegross,
took up position out front, his cameras in place, side-screens
prepped, making the pixels dance with a master painters touch.

Up on stage, Gaz had saved his best strutting for this show, moving
like a King, adding flourishes of bass to make the songs animate
where previously they had apologised.

Angie, bent over her keys as always as if trying to find something
dropped in the dark, tracking every movement my lips made, eyes
shining out through trademark mascara rings.

Tyler sang her harmonies with laser precision, unfazed by the scale
of the show, the enormity of the moment or the size of the audience
which was exceeding 50,000 & growing. I shot her a grin, never once
thinking she would do anything but deliver.

And through all this, Peter sat behind his keys & beamed, controlling
us all with that customary calm which still blows me away, recalling
how, previous to this tour, he’d spent his most recent years as a
master App designer (Trope, Bloom, Scape) & had performed to audiences
no larger than 20. No matter what has been thrown at him this year
(& there have been buckets full of slurry) he has brushed it aside with
the confidence & maturity of a Musical Director with decades more
experience.

The entire crew, Mal, Rachel, Toby V, Kester & Newsh, all clicked
& delivered, laying a table fit for banquet, with nothing more to add
than for me to mess it up. I chuckled to myself, walking onto stage
as Rachel whispered,
“It’s all up to you now…”
Ha ha ha!…if that were true this ship would’ve sunk long ago –
something else has been at work throughout this extraordinary Edgeland
journey, bringing together such an unlikely rabble who have smiled,
laughed, exuded gratitude & put heart-n-soul into everything they do &
last night it showed it’s self again,
manifesting in the smiles on 60,000 faces.

(K)

Saturday 27th July

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AT FUJIROCK 2013:
 
So it rained but we don’t care, happy to be in the Favourite 
Festival, this valley in the mountains is beautiful in any weather.
People smile, security is caring & meticulous & the whole 
place is geared for goodtimes – everyone who comes through the 
gate is catered for.
Had a premonition I would meet Wilco Johnson then sat down 
next to him on the plane. His guitar playing is like great slabs 
of techno. the godfather of sampled guitar & a gentle man. 
Flew out of London with a sandpapered throat, had to laugh at it’s 
timing, bodies know how to mess with heads. Popping Beecham’s 
capsules to fend off flu, locked into a twelve hour air conditioned 
metal tube then squeezed out into a hot & humid world, walking in 
diver’s lead boots. Slept on the back seat of the bus, coats
over our heads. Ate glorious noodles in a regular service station,
finished off with ice cream & glutinous balls, Red Bean Paste cake
& Peach Iced Tea. Slept another two hours on the back seat & woke
in a valley where clouds stoop to kiss the heads of mountains & trees 
rinse their leaves in it’s blue-grey caress. 
Saw Tame Impala, loved their commitment to that sound, tried to 
see NIN but they were having a Lock-down, shut-out night. 
Found the Rock Man & his crew in a tent in the trees, 250 rocks 
painted with faces every year & Scattered all over the festival 
for kids to find. It’s this kind’ve love that makes FujiRock 
my festival of festivals. Hung out with the Boss laughing into 
the night, it’s an honour to be invited by him to play here.
Walked through the rain & bumped into the one person I wanted 
to meet, so spent the rest of the night in the bar with Yanis 
from Foals discovering we share a lot in common. 
Who knows how the throat will sound today or if Angie’s suit case 
will turn up in time for the show?
 
(K)

Friday 26th July

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IN ABSENCE OF INTERNET:

If you’re reading this I haven’t got any internet connection.
It happens with increasing regularity out in the fields where
wires are subject to heat & cold & vegetation & telephone
exchanges are either so far away or old-style-slow or, in
our case, all of the above.
During this lull in direct communication I’d thought I’d prepare
something inspired by that kitten & ball of wool they used to
put up on tele when the broadcast broke down or the picture of
a girl writing on a black board with some weirded out padded
creature in the background – this is my weirded out creature.

I wanted to tell you about an exhibition Kieran Evans & I
attended this week, a small, low-key installation that is likely
to be one of my favourites for the whole year – ESTUARY.
Located on two floors within the Museum of London down at
Docklands in a building that reminds me of the old malting’s
warehouse where we used to hold rehearsals in early 80’s Cardiff.
Lots of heavy timbers & the great sound of wood underfoot,
exposed brick & the smell of coffee.

Twelve exhibits in all, twelve artists who have documented
their relationship to the Thames estuary. Think of this as a
parallel to the Outer Edges film Kieran & I made, beautiful
photographs of Edgeland places (I’d buy them all!)
images of found discarded things reminiscent of the diary images
you find on this site, large paintings of desolate places found
along the Thames foreshore & (my favourite) a photo journal
in the form of a slide show & pros, documenting 36 days spent
living on one of the old fortresses out in the Estuary – a living
poem to the joy of isolation & the rhythm of decay & objects left
behind by previous occupants – the beautiful marks we leave for
each other to find.

(K)

Thursday 25th July

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RETURN TO JAPAN:
 
Take the M25 clockwise, turn right at Heathrow, 
drink coffee, eat something sweet to counteract 
the bitter taste, drink water to neutralise the 
sweetness, shop for throat lozenges, mints, AA 
batteries, buy a magazine, Jump through the sky
hole, sleep if you can, drink water, get up, walk
around, watch a film that’s saccharine & over egged,
suspend your disbelief & love it anyway, watch it 
get dark, watch it get light, feel cooked on the 
inside & lightly fried, touchdown, step out into 
humid heat, a familiar aroma unlike anywhere else
& a colour pallet to match, see shapes dance in 
your head to a calligraphic rhythm unfettered by 
your understanding, let the figures dance, cartoon 
characters everywhere & gentle images, clean & with 
a pride that gets under your skin until you believe 
it could be like this back home as you drive in 
air conditioned chill, the sweat running cold down 
your back, watching rice fields slip past on the 
other side of the glass, believing it’s just as 
cold out there until you pull into a service station 
on request & fry, window shopping amazed at what’s 
on sale, you buy stuff to show friends at home 
because you know they wont believe what they can’t 
touch, fall asleep, your head rolling on crisp white 
lace dreaming dreams of cellphones of the future you 
wake to discover they are real & all around us as we 
climb through mountain forests, wild monkey signs line 
the road & eventually arrive & step out into clean 
cool air, feeling human again, grinning to discover 
yourself returned again to your favourite festival 
in the world.
 
(K) 

Wednesday 24th July

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PRE-PRAIRIE PREMONITIONS:
The sessions at Paisley Park in 1990 were weird & great.
I met a lot of generous & extremely talented musicians who
were patient & professional & always treated me like one of
their own. Had it not been for them & the studio staff who
pretty much adopted me, it would have been a painful time
of flux & dark uncertainty. Paisley Park is one of the most
beautiful Studio complexes I’ve had the privilege to work in.
Everything about it, from the staff, to Princes’ Purple Cops
& the huge film stage out back set it apart from all other
studios.
Looking down at the Earth as we came in to land that February
at Minneapolis international I couldn’t understand what the hell
I was seeing nor could I get any sense of scale. The ground below
looked like a war zone, a world peppered with enormous holes as
far as the horizon, bomb craters, gaping mouths with salty lips
howling at the sky, white powder blown into the contours of the
Earth like an old sea dog’s leather face, dirt as black a peat.
We stayed outside the city at Canhassen, in a brand new ship-lap
hotel with a high canopied porch in the Greco-Roman style. It was
run by an ex-U.S.-submarine captain who, though friendly to everyone,
gave special attention to anyone on an extended mission a long way
from home. Though it was walking distance, we usually drove the
white Ford Probe to work every day, but then, as the sessions began
to start progressively later, Andrew & I would get up early, breakfast
with the local Law Enforcement & take off for hours, driving across
the Prairies.
There were a lot’ve ex-Northern European tribes out there, towns
with German street names, Flaxen haired people with Scandinavian
features & dart boards in the bars. We bought maps to follow the
sinuous curves of the Mississippi, pinpointing places that looked
weird, observing Winter turn into Spring as Skidoo runs melted making
way for the gentle rhythm of breeze-blown Prairie grasses. Trucks that
had been parked all winter on feet-thick lake-Ice where moved,
Fisherman’s huts hauled away for another year as Ice-holes melted
so that speedboats & sleek white cruisers could ferry bar-b-que-ing
families to distant foreshores. Terrapins perched on logs, moved
faster than startled dogs at the sound of approaching footsteps &
blizzards subsided into midnight heat inspiring bullfrogs to sing
in shallow ponds accompanying the clank of railway crossing bells
as long trains rattled over points, slipping through town as everyone
slept.
(K)

Tuesday 23rd July

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STEREO IS LIKE BEER:
 
In 1970 I got my first taste of stereo when Mont invited me 
round to his house to hear his dad’s new headphones. I’d never worn 
headphones before, only seen them in Bond films & had no experience of 
stereo ‘up-close’, never imagining I’d ever be able to afford it. 
Mont was the bass player in our band, one’ve the older lads at school 
who’d tracked me down, inspired by The Travelling Salesman.
He came from a family just across the boarder into Middle Class. 
His dad was a draughtsman or something similar (there was an appealing 
artiness about him but also a heavy presence of pressure unlike 
anything I’d associated with art). The family lived in the posh 
bit of the other council estate over on the West side of the river & 
though Mont knew all the members of the local gangs his passion for 
bass kept him learning new riffs & off the street. 
The headphones were fat & white, with a fat black leather pad that 
curved over the top of your head, bit’s of expensive looking chrome & 
a curly black wire connecting them to a bunch of illuminated boxes. 
When I walked in Mont was giving a considered performance, 
lay on the floor, eyes closed, trancing out, a thin & tinny sound 
emanating from his head.
“You gotta hear these things!” he said, grinning, like he knew 
he was about to give me to a life changing experience. 
The Groundhogs new album ‘Split’ was on the the turn table, a 
seductive black & white picture of a guitar legend having a 
transcendent experience on it’s sleeve was strategically positioned 
for me to see. As I lay back, he put the needle into the best groove 
& grinned as I slipped the heavy spheres over my ears. What I found 
confused me, it was unlike anything I’d ever heard but didn’t sound 
right, felt unnatural, limited, didn’t blow me away, so I faked a 
grin, 
“Yeah, great!”
The sound was too close, too synthetic, an approximation of natural 
spacial information, a caricature of nature, it made life sound smaller. 
It was interesting, but less than real life had to offer & I was going to 
have to relearn how to listen if I was ever going to enjoy this new toy. 
“Isn’t it fantastic!?” 
“Yeah, it’s…amm…fantastic” I swerved, buying time to learn how to 
love it, remembering how the first time I tasted beer I’d hated it, but 
knew I’d have to learn to like it, if I wanted to be a man. 
 
(K)

Monday 22nd July

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WE FLOAT ALONE:
 
We float alone in a sea of white linen, me & the notebook, 
cruising breakfast like flightless bids, one choosing fruit, 
the other…words. In walks a delicate boy with quaff-erred hair, 
horn-rimmed, beautiful, sleeves rolled up crisp, inch perfect.
The note book plots his course across the room as I skewer melon. 
Morning sunlight sings through plate glass walls, we watch it casting 
shadows deep & black between unnatural architectural trees arranged 
like chess pieces, kings & queens watching our five star sanctuary 
from the luxury of perfect lawns, awaiting the fingers of giants. 
In walks Torpedo woman, I don’t see her face but I hear her coming, 
talking loud to the delicate boy as she crosses the room at speed,
oblivious to our reverential floating, oblivious to everything, 
focussed hungry on the prize of her solitary beautiful boy. 
The note book opens to receive, the pen dances across the page, 
sinuous curves & curls embrace, laying ink as joyous as the dance of 
feet to kick-drum grooves. Her mouth hurts my ears, but I don’t 
glance, imagining a face, her tones abrasive every thought falls out 
between her violent lips – relentless . The delicate whispers of the 
boy, she broadcasts everything he says directly to the pen & page & I 
won’t glance for fear of letting her know this dance is choreographed 
alone for her. 
A lover? – no, though I entertained the thought & shuddered. How these 
two come to this time & place, such incongruous union could never be 
so misconstrued as lovers. 
A business arrangement? A manager? An Agent? Yes! – an agent hotly 
courting one so fresh & up & coming, flew in just for the occasion & 
almost blows it sycophantly (but does he notice, does he care?) now it’s 
clear he wants her just as much as she wants him – they were made for 
one another.
 
(K)

Sunday 21st July

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MONSTER PUPPET MACHINES:
 
Fantastic night at Monegros festival last night.
A parade of metal monster puppets on cranes, Justice,
Ritchie Hawtin & Public Enemy gave the crowd a night
to remember. 
Great festival crew
& really really loud onstage. Somehow, once again
at altitude, oxygen just ‘appeared’ when I needed 
to dance & sing. I thought for sure I wouldn’t make it
last night, but the kick drum is still my dealer.
Rick was hot on the desk, pulling curves I’ve never heard 
before. Pricey rocked & smiled with style & the whole U/W 
crew put on an inspirational show.
Thank you Spain!
 
(K)