Friday 1st March

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LAUGH OUT LOUD:
 
Bragadoon morning amongst the fields of Essex. Naked trees at play
dance in & out’ve the fog, laughing in echoes. Up before dawn, walk
the dirt tracks out’ve sight of roads. Back in time to record 
more voices, scripts that arrive in the night, tweak, speak, send. 
Drive to rehearsal, friends drop in to listen, leave smiling, lights
ignited in their eyes. I get the same feeling every time around this 
band.There’s an energy that counters dark inclinations, embarrasses 
anger, encourages laughter. This is an extraordinary & unexpected
journey, one I’m eager to share. 
Some will find the music odd, but others will recognise the signature,
rooted in DUBNOBASS…, in film, in travelling by car late at night,
in the street lights of deserted cityscapes after all the clubs 
have closed & in lying back on the beach at sunrise at the end of a 
joyous all-nighter chilling to the sound of the surf.  
 
(K)

Thursday 28th February

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HELLO MY SUN:
 
Red vibrant swirls tumble over the horizon like the best 
ever painting, like all the dances I’ve ever ingested.
Everything gets a glow on in the red light reflecting 
back to earth from under the wings of low flying birds. 
Nature doesn’t seem to be afraid today, birds hold their 
ground in hedges as I pass, even cars hiss low, respectful 
of the light show unfolding above the Essex prairies. 
Retrieve the dustbins, turn the studio on, record your voices, 
takes phone calls from Japan, slip between the fields on 
back roads to rehearsal fuelled on light. 
 
(K)

Wednesday 27th February

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HAPPY TOO…:
 
Be back in the Essex prairies, back amongst the tribe,
returned safely to the final week of rehearsals. I catch 
myself smiling, laughing with these lovely people, new
friends who make me feel like I’ve known them all my life. 
Their tallent, not only for music but for building a 
tangible positivity takes me by surprise daily. I’m 
excited about touring with these guys, have no idea 
what the journey will reveal & that’s the point.
Now the task of trying to remember words, arrangements,
chords & pedalboard settings without looking at my 
crib sheets….ha ha ha, 
 
(K)

Tuesday 26th February

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WRONG TURN AT ELEPHANT:
 
From the train to the tube, following the boys from South London 
I take a wrong turn at Elephant & end up in an alley between the 
shopping centre & street stalls. It’s the kind’ve place I lived 
in back in the day, dark corners where the dirt sings ‘Hallelujah!”
I sink back into my beast & adopt ‘the stare’, but if anyone looked 
twice they’d see right through it. Move fast, with extreme purpose, 
observe all exits, look ahead but listen behind. With a gang of 
zig-zag girls waling wide-eyed & ready, covering my rear I move 
swiftly to higher ground, drawn by the sound of traffic & the 
comforting glow of a London Underground sign. Sanctuary in the 
smell of dust & electricity sucked out’ve the holes beneath us.
The warm air hits me in the face & I inhale the skin of millions.
The lifts are rammed, eyes stare back at me, blinking. I take the 
stairs keep moving, remain out’ve sight of the sparking boys, 
sounding loud & up for it just ahead.
 
(K)

Monday 25th February

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AT THE ELEPHANT:
 
The boys courted the girls with blunt sexual bravado 
& the girls reciprocated, laughing. The South 
London boys carried cans concealed in black plastic 
bags, single cans to set the blood fizzing for a
Saturday night uptown. The boys from Eastern Europe
passed a single plastic bottle round between them,swigging, 
laughing loud & shouting, intimidating the theatre crowd. 
But the boys from South London drank alongside them as if 
there was a wall between them, until the Eastern European 
Boys raised their plastic bottle in salute, touching it 
to the rims of the South London Boy’s cans,
“Yay!”.
The girls crossed & uncrossed their legs, watching 
with wild & excited eyes, dressed tight & revealing, 
taunting winter’s bitter wind with their relentless sexuality.  
 
(K)   

Sunday 24th February

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SOUTH OF THE RIVER:
 
Two artists met in a south London flat to jam. One arrived 
in town by train then caught a bus to a pace he’d never been,
an adventure across the river. He got off at the wrong stop, 
or at least that’s what he thought, but as he walked through 
the streets vibrant images of scratched decay & torn paper 
walls made his eye jump around in his head, making him hungry 
to paint, letting him know he was on the right trail. 
‘Captain Pawn’, Hype hair sunrise’, signs spoke to him, 
greeted him, tipping their hats as he passed.
“Say ‘hello’ to the new Orange, he’s the Man, ‘we’ supply
the broadband”.
He grinned, slipped a camera from his pocket & gratefully 
accepted everything that was offered him. 
Later, much later, he stood, dazed & disassembled, rocking 
in a freezing wind on the lips of a north bound platform,
vibrating. Not even the glare of the lights could defused
his crumbling, nor the latent violence carried in the the belly
of the train could slow him down. Images & sounds came to 
sneer at him. No shapes or colours or symphony of city noise 
to lift him, the night was taking him to pieces from 
the inside-out. 
 
(K)

Saturday 23rd February

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THE SKY DRIBBLES SNOW:
 
The Sky dribbles snow like a hung-over drunk, 
taunts us with freezing wind like a cat plays 
with a mouse. We sink our heads into our necks
& walk the bitter walk, pretending we’re not here.
Standing on the sea wall at Tilbury I turn to the
photographer & say, 
“One day we’ll be too hot & that’s where I’m
living in my head right now”.
 
(K)

Friday 22nd February

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LEATHER HEART:
Catch an early train in through the Emerald City
& out to the Edge. A day away from rehearsals walking
streets of the forgotten East. Terraced chapels,
wheely bins with numbers flaking, snooker halls,
scrap metal dealers, hand painted signs, hair dressers,
street names the resting place of Empire, pebble-dashed
double glazed outsider art. We’ll count ponies grazing
in the lee of power stations, stroll to the river,
mud stones, rusting chevrons, dinosaur timbres sinking under
the weight of history where new faces arrived with expressions
of hope, fuelled on the promise of work & betterment &
future Australians left in search of paradise.
Setting off to the sounds of ‘Mean Machine Chant’
by The Last Poets (I’m talking about the original band at the
roots of rap from the 1970’s), one more great track from the
brilliant Celluloid Records Compilation we’re featuring this
week. Keep out’ve that chill wind.
(K)

Thursday 21st February

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HUNG-OVER FROM THE OLD DAZE:
 
Man I feel hung-over! Fifteen years without a drink, but 
partying late without a groove to dance to punches a hole 
in my soul big enough to drive a dark cloud through. 
Fortunately, remembering last night, where the company was 
bright, warm & enthusiastic, I don’t feel sorry for myself, 
just mashed. 
A freezing night at the O2 Dome, cruising car parks for 
drivers of generic black cars who know my name & can quote
my album release date. From bin day to rehearsal to limo to 
the Brit awards. Floating on sea of suits in a new pair of jeans, 
trainers like bleached teeth on the red carpet – following the 
yellow brick road. I don’t recall many nights off since 
this album & taking it on tour became reality & I’m happy
this one was in the company of my dear friend Rick.
Seems we only meet at award ceremonies, but the warmth
& light I feel when we greet reminds me we’re still
in this together. I’m excited to hear what he’s been doing,
holding my breath to see what he thinks about my band. 
There’s a lot to come out from us both this year & the good energy 
I felt last night from our new friends at Universal Records 
makes me smile, looking forward to the day with a grin, even if 
the body thinks it’s been up all night drinking.
 
Continuing this weeks feature of the Celluloid Records Story,
Richard Hell & Voidoids play ‘Destiny Street‘ loud, 
windows wide open, eyes on the horizon, clearing the head, 
to get ready to rehearse with a band I love – don’t know
if I’m coming or gone, but I know I’m still alive.
 
(K)

Wednesday 20th February

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SCOOTER IN A THORNBUSH:
 
Another uplifting day rehearsing on the Essex prairies
emerged from a morning chasing technical demons like stray
cattle. The guys in the band smile & get to work, the mood 
is light, focused, dedicated, peppered with laughter like 
traffic cones directing us towards the light. The set 
sounds great, I had no idea that playing the new album 
would feel this good & explorations into cherished U/W
classics reveal a whole other point of view that makes 
me want to revisit the entire U/W catalogue for live.
This has turned into a richly rewarding journey, will
anyone come to see us? – I hope so, because I’m excited
about sharing these sounds with everyone – please come. 
Later, as I stand in freezing wind on a floodlit football
pitch a conversation with Robert Plant, calling from a 
sunlit part of another world, one Midlands boy to another, 
imparts his enthusiastic encouragement & the advice I’d hoped 
for, a voice  that reminds me of the Birmingham edgelands 
we come from & of the fantastic journey we’re on. 
Thanks to all you friends for the support you give me daily. 
Now I’m gonna fire up ‘Koteja’ by the Bobongo Stars
turn it up loud & drive to rehearsal.
 
(K)