Sunday 15th June

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WHERE ARE WE?:

Home on the island in need of a shower, the twelve-can
Stella boys back in their bunks recover from the ritually
rude awakening at boarder control. That’s when you should
ask us for a picture, but don’t stand too close. The lady
in the kiosk asks our driver,
“Got a band on board? Who is it?…Oh, ‘Bornslippy’!”
I have to congratulate all our customs officers this
morning for smiling & remaining tolerant as we line up,
hunch shouldered & wrinkled, proffering passports we hope
are ours.
“Hello, and where have you just come from?”
“Ah, Holland”
“Where abouts in Holland?”
“I don’t know, I just got off the bus somewhere”
“I see, and what is it you do?”
“Er…A musician, I’m a musician”
“In a band?”
“Yes”
“what’s the name of the band, is it someone we’d know?”
“Well, perhaps… Underworld?”
“OK, and why were you in Holland?”
“To perform…at a festival…somewhere”
“Welcome home”
“Thank you”
(K)

Saturday 14th June

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FISHBOY:
Back in the busbunk, curtains drawn, rolling cocoon,
watch a film, glide beneath the sea.
Awake early, uncomfortably numb,
feeling strange to be back here again, in this rope-lit
luxury, in this roped & branded body. Rise-n-wash,
pull on the jeans without waking the world with that
belt buckle rattle. Kettle on, keep noise to a minimum,
spoon & bowl & cereal. Remembering years of bus etiquette
you forgot since the last time, it feels like a long time,
do you remember anything? Walk the site, taking pictures,
every snap makes you recoil,feeling like an alien, flinching
at every word that wants to turn into a lyric. Down at the
water’s edge, cowgirls set up camp for business, chromium
castles stock exotic shot bars, miniature circus rings,
carousels for drinking couples, mysterious truncated aeroplanes
bury their heads in yellow tents & swaggering young men, new
to the festival circuit wait their turn to soundcheck.
Smiling, gentle drivers unload their trucks at the dock,
local crews roll flight cases up ramps & onto stage, riggers
fly lamps & specials into the roof, waving, nodding, smiling,
as I walk around testing the stage for loose boards.
Everything’s the same & yet I feel like a fish out of water.
(K)

Thursday 12th June

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THAT LIGHT THING AGAIN:
 
A warm streetwind blows in through an upstairs window, 
a memory of clean summer linen & you. The chatter-rattle of cups 
& downstairs conversation, the feelgood fallout proximity 
of upbeat animation, close yet far enough away. So take this 
sweet-thing & put it in your mouth, distract you long enough to 
get out. Been waiting too long for that panacea, the thrill of 
the sound of a voice in the ear. Get up, listen, hear the rhythm, 
limbs moving, dancing between light, shapes are rolling with us now. 
Sun bouncing off of buildings, the pressure drops, we’re swerving 
interlocking slabs of light, stone coloured sun, monumental 
architecture. Everything is breathing, everything is ok, so why are 
you still looking for a problem to complete you? Keep moving into 
the light, keep dancing, listen to the rhythm – in this moment 
you’ve got everything.
 
(K)

Wednesday 11th June

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SOME OTHER DAY:
 
Waiting at a perfumed table with a mirrored face that 
I walked to fast to reach. Sitting in the sun counting 
pastel tourists all looking for a landmark to navigate 
their ships by. Their tiny worlds world collide, their 
laughter clatters up west end streets, rising into the 
sky, released, like skeleton crows.
 
(K)

Tuesday 10th June

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LOST ONE:
 
Rick Mayall is gone & that’s weird. How does a thing like 
that happen so early in a life? We were born & raised 
just a few miles & a year apart, the first comedian on 
tv who spoke like me & the people I grew up with. He made 
an accent I used to distain so cool that I ‘came out’, 
turned it back on, & could raise a laugh at will 
(what a great free gift for a west midlands boy, thank you Rick). 
Remember Freur ‘Live in London’ Marquee Club, 1983? 
That ‘easy banter’ was straight that had the audience chuckling? –  
straight out’ve Kevin Turvey.  
Rick was part of an important & influential set of comedians 
who established a counter balance to what were bitter times if you 
happened to live closer to the bread line than you’d dreamed.  
They enabled us to laugh through a decade of failed careers, 
milk money scavenged from old coats, alienating politics, 
miserable times. 
There had been belly laughs before, comedians from our parents 
generation who had sent ripples through the nation, but Rick & 
his peers helped establish a new comedy tribe that belonged to us 
& said things publicly that we wished could be said & they did it, 
VERY LOUD, on national TV. 
In the winter of ’82, freshly signed to CBS records, we took our 
first ever aeroplane flight to work with the legendary producer 
Conny Plank. We arrived, dressed in rainbow plastic, pearls & 
lip gloss, ready for anything, clutching all important VHS tapes 
of the Young Ones to make us feel close to home. 
Much to the bemusement of his studio crew Conny would end every 
working day rolling with laughter as we gathered round the TV to 
watch & re-watch every episode. Last year, whilst performing 
Edgelands’ with my band in Berlin, I was re-united with Konny’s son, 
Stephan, whom I’d last seen as a seven year old boy. Now a giant of 
a man full of joy. We were both shocked & delighted to discover that 
those tapes of Rick Mayall & his companions, which Conny had 
persuaded us to give him had played a significant roll in his 
English Language education – ha ha ha – it should be on every 
syllabus.  
 
(K) 

Monday 9th June

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DOGCAT IN THE LONG MORNING GRASS:
 
“That’s the Blackdog, the SheepDog & the Dogcat” 
He said as we speed walked through tall grass at sunrise, 
legs soaked in morning dew. “That’s Hope”he said pointing 
to a small purple tower of a flower rising from beneath the 
hedge. 
“The Blackdog & I have met before.” I replied. 
“The Sheepdog & I are old friends down generations, 
but the Dogcat is a new one”. 
More like a stealth raccoon, a luxurious mouser with a look
in the eye that reminds me of someone I used to know.
 
(K)

Sunday 8th June

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MAPPING BACKROADS:
 
Chasing cut throughs, slipping through gaps between hedges, 
leaving the beaten tracks through bowers, hawthorn tunnels, 
grasses tall as shoulders, seeds caught on the wind blown in 
our faces, laughing, spotlit by the sun. Tire tracks across 
moist earth dug over by horse hoof, sheltered in shadow, the 
rich smells of brown & green. Buttercup, dog rose, cascades 
of brier barbs, the sweet perfume of elder flower & the bite 
of hogweed bloom.Everything green gone mad over night, blacktop 
turned grey & cracked for weeds to reach up to the light in 
Mohican ridges down the centre line, gravel traps swept to 
gutter lines by winter rain. The ‘tic-tic-tic’ of the chain 
as we freewheel again. 
 
(K)

Saturday 7th June

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DANCING WITH THE DISCO CRISPS:
 
At the Ship on Wardour Street I meet the disco crisps. 
Dancing naked on a table they relived their boogie dreams 
between Italian girls on holiday & streams of blissed out men 
emerging silent from the room at the back, dragging sweet trails 
of urine perfume.
I watch their salty jiggle as rejuvenated men Hunger for another 
fist of London Pride & glide into the sun. The Italian girls giggle, 
exchanging cameras, clicks, posing for the woman with the summer legs. 
A blissful ignorance of history pervades this heavy wooded bastion of 
rock & beer. The table in the corner was exactly where we argued over 
Rez, though you would never know, long after that night ‘he’ emerged 
from the back room stumbling past with hollow eyes, pressed a tenner 
into BB’s hand & left him wide – eyed with the ‘Most Blonde’ & those 
immortal words still curdling in a trail of sweet urine perfume, 
“Get a round in Bill”, then on into the night & down into the 
yawning hole at Tottenham Court Road & on to the midnight train to 
Romford.
 
(K)

Friday 6th June

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STARING AT THE RUDEBOYS:
 
Cutting fast through fields of sunlit dew, crow dance, 
fresh elder flower on the bush. Speed walking, fast 
talking, positive endorphin, working up a sweat. 
Catch a train into the city, cruise for poetry, 
words fall out of buildings, no shadow following. 
 
(K)